Livermore’s Centennial Light Facts

2009.12.10

LIVERMORE'S

Facts

* Age: 106 years and counting (as of 2007)

* Installed: First installed at the fire department hose cart house on L Street in 1901. Shortly after it moved to the main firehouse on Second. In 1903 it was moved to the new Station 1 on First and McLeod, and survived the renovation of the Firehouse in 1937, when it was off for about a week. During it's first 75 years it was connected directly to the 110 Volt power line, and not to the back-up generator for fear of a power surge. In 1976 it was moved with a full police and fire truck escort, under the watch of Captain Kirby Slate, to its present site in 1976 at Fire Station 6, 4550 East Ave., Livermore, California. It was then hooked to a seperate power source at 120V according to Frank Maul, Retired City Electrician, with no interuptions since.

via Livermore’s Centennial Light Facts.

Cloth covered wire from Sundial Wire

2009.12.10

Sundial Wire has been providing beautiful, high quality, cloth covered wire since 1991. Our loyal customers include lighting designers, antique appliance restorers and collectors, architects, museums, restaurant designers, home decorators, even Hollywood set decorators! In fact, we have been the motion picture industry’s number one supplier of authentic cloth covered electrical wire since our inception.

via Cloth covered wire from Sundial Wire.

kilokat’s ANTIQUE LIGHT BULB site : links

2009.12.10

Great Light Bulb resource list

kilokat’s ANTIQUE LIGHT BULB site : links.

Soldering

2009.11.30

If you are going to do any electronics work, you are going to have to do some soldering. Many people fear it before they have done it, but it is really pretty simple to do. This exercise will show you how to solder a DC power connector to a set of wires for a breadboard.

via Physical Computing at ITP | Labs / Soldering.

Two-Part Wood Turn Mold

2009.11.29

Wood turn mold actually being used in demo showing charring and wood bar clamps being used as handles.

via ds2079 on Flickr – Photo Sharing!.

WHAT ARE THE MOST VALUABLE AMERICAN BLOWN GLASS BOTTLES?

2009.11.29

Many would say that Blown Glass Bottles are the most valuable of all bottles because of their historical significance and age. Early examples are rare. You are not likely for run into one at a yard sale. Collectors have been searching for these since the early 1900s. Most of the surviving examples were made from 1790-1830.

via WHAT ARE THE MOST VALUABLE AMERICAN BLOWN GLASS BOTTLES?.

Molds – Wood & Metal

2009.11.29

These turn molds are traditional full height wood mold made of cherry by Walter Evans (who has stopped making them since the loss of his assistant.) It has a disk bottom attached to one side and hinges and handles to permit an assistant to open and close the mold around the glass. The mold is burned in by blowing glass pieces not intended to keep. It has holes drilled to allow the steam to escape and is stored in water between use. The glass is inserted, the halves closed and the glass allowed to settle near the bottom before blowing and turning fill the volume. When the glass is removed it has crisp shape and may require no further work on the body or hot bits for handles or decoration may be applied. The piece must have the lip worked

via Molds – Wood & Metal.

Glassblower.Info – Cast Iron Molds and Paste Molds

2009.11.29

Turn-molds: The turn-mold is more of a process than a mold and could be produced in about any full height round mold. All turn-mold bottles (also called a “paste mold”) are round in cross section since no other shape could be turned or twisted in the mold to produce the seamless body distinctive of these bottles. The inside surface of a turn-mold was coated with a “paste” of organic fiber (often sawdust) which was also wetted between each blowing. Upon contact with the very hot glass the water turned to steam. The steam formed a cushion that the bottle “rode” on while the parison was expanded and rotated by the glassblower. The combination of the steam cushion and the rotation contributed to a distinctive glossy or polished glass surface to a turn-mold produced bottle that other types of bottles do not have, with the exception of fire polished free-blown bottles (Toulouse 1969b; Munsey 1970). However, turn-mold bottles will be very symmetrical throughout; free-blown bottles will not be symmetrical (Jones & Sullivan 1989).

In addition, the granular texture of the paste on the surface of the mold and/or imperfections on the mold surface, in conjunction with the bottle rotation, very often caused the formation of concentric horizontal rings on the body of the bottle. It is known that some turn-molds were made of apple or cherry wood at the Whitney Glass Works (Glassboro, NJ) as late as the early 20th century (Lohmann 1972). Wooden molds would also be more likely to have uneven inside surfaces due to the effects of the extreme heat of the molten glass. Because of the rotation of the bottle in the mold and the wetted paste coating, whittle marks (discussed earlier) are rarely if ever seen on turn-mold bottles (Toulouse 1969b; Munsey 1970).

Because of the rotation of the bottle in the mold (not the opposite as the name “turn-mold” would suggest) embossing on the body of the bottle was impossible; labeling or the occasional blob seal was the only way to notify the product purchaser of what product the bottle contained (Toulouse 1969a) Virtually all turn-mold bottles also have no embossing on the base, though some limited embossing has reportedly been observed. This would have entailed a secondary molding base plate that replaced the original mold base plate after the bottle was rotated in the mold but before it cooled and solidified (Toulouse 1971; Lockhart pers. comm. 2004). In any event, base embossed turn-mold bottles are very uncommon and none have been observed by the author of this website.

It is possible that many or most of the turn-mold bottles sold by American glass makers were imported and not actually produced in the U.S. May Jones, in the first volume of her nine volume bottle history booklets called collectively the The Bottle Trail, quotes a Owens-Illinois Company provided history that notes that their predecessor (Illinois Glass Company) imported the turn-mold bottles they sold and that “…in the United States, turn mold bottles were not generally produced” (Illinois Glass Company 1903, 1908, 1911; Jones 1961). As noted earlier, it is known that the Whitney Glass Works (Glassboro, NJ) – a large producer of bottles – did manufacture turn-mold bottles with wooden molds as late as the early 20th century (Lohmann 1972). In addition, Toulouse (1969b) notes that patents were granted in the U.S. in the 1870s and 1880s for “seamless bottles.” So it appears certain that some turn-mold bottles were produced in the U.S. Although it is likely that many or even most turn-mold bottles were not made in the U.S., they are ubiquitous on U.S. historic sites that date from the 1880s through about World War I, though turn-mold bottles have been documented possibly by as early as the 1850s, but almost certainly by the mid-1860s (Switzer 1974; Beaudet 1981; Gerth 2006). For more information click turn-molds.

via Glassblower.Info – Cast Iron Molds and Paste Molds.

Closure Types

2009.11.29

A bottle closure is, simply stated, the device that seals the contents inside of a bottle, protecting those contents from dust, spilling, evaporation, and/or from the atmosphere itself (Munsey 1970; Jones & Sullivan 1989). The finish and closure are interrelated entities of any bottle. The closure must conform to the finish in order to function, and vice versa. The invention of some closures correspond to certain finishes and a closure may be adapted to old finishes; or both the finish and closure are invented together (Berge 1980).

During the early 19th century there was only limited demand for glass bottles & jars since most goods were sold in bulk by general stores out of barrels, pottery jugs, wooden boxes, burlap sacks, and the like. Most people also lived off the land and had limited need for glass bottles; they also lacked the resources to pay for such luxuries. Thus, the incentive to develop varying closures was limited as cork sufficed for virtually all of the bottled products of the time.

via Closure Types.

One in 8 Million – New York Characters in Sound and Images – The New York Times

2009.11.27

Great Interview with Louise Nicholas, Chief Jury Clerk at 60 Centre Street.

One in 8 Million – New York Characters in Sound and Images – The New York Times.